SO.CO Team

1 month ago

Linkin Park Bring Healing and Hope on Their Return to London

O₂ Arena

Featured Photo

Linkin Park returned to the UK for the first time since Emily Armstrong's appointment as frontwoman. Whilst a section of fans are still vocal in their disapproval, Armstrong showed that this isn't an attempt at replacement, but at evolution. 

Armstrong’s UK debut as the new frontwoman of a reimagined Linkin Park at London’s O2 Arena was nothing short of a defining moment, both for the band and herself. Stepping into the shoes of Chester Bennington—a beloved icon whose emotional depth and raw vulnerability made him irreplaceable to many—Armstrong faced an uphill battle from the start. The announcement of her appointment had already sparked debates across social media, with long-time fans of the band split between excitement and skepticism. Could she, or anyone for that matter, live up to the impossible expectations set by Bennington’s haunting legacy? 

Walking out to 20,000 expectant faces, Armstrong seemed fully aware of the weight on her shoulders, yet she carried it with a defiant poise. The band’s recent single, “Heavy Is The Crown,” has only fanned the flames of these discussions. It's hard not to interpret the lyrics as a direct response to the pressure Armstrong faces: “This is what you asked for, heavy is the crown.” It’s a clear signal that she isn’t shying away from the monumental task ahead. Rather than trying to fill Bennington’s shoes, she appears determined to carve out her own space within Linkin Park’s storied history. The track itself, a blend of heavy, riff-driven verses and a soaring chorus, feels like a bridge between the band's past and its potential future. 

Armstrong's vocal delivery is less tortured than Bennington's, but no less powerful—her voice carries a different kind of intensity, more grounded, yet still emotionally charged. The live performance was equally revealing. Armstrong, backed by the band’s almost impossibly tight instrumentation, commanded the stage with a quiet confidence that felt earned, not imposed. There was no attempt to mimic Bennington’s signature screams or his stage presence. Instead, she brought her own flair, finding a balance between respect for the band’s past and a readiness to take them forward. 

Tracks like “Numb” and “In The End,” which could have easily felt like hollow tributes, were instead transformed into poignant moments of reflection. Armstrong didn’t attempt to claim ownership over these songs but delivered them with an authenticity that hinted at her personal connection to them. The crowd responded in kind, their initial hesitation fading into cautious acceptance. As rumours swirl about the band’s future—whispers of festival headline spots and more new material—there’s a sense of both excitement and trepidation surrounding what comes next. Can Armstrong continue to win over the fanbase, or will the shadow of Bennington forever loom too large? 

Tonight’s performance at the O2 suggests the former is more likely. The crowd, while initially apprehensive, seemed to come around as the night went on, offering Armstrong a tentative, but growing, approval. By the encore, the energy had shifted—what started as a test of her ability ended with the crowd chanting along as if they’d been with her all along. It’s too early to say whether this new era of Linkin Park will be as culturally seismic as the band’s early days, but Armstrong’s debut has set a solid foundation. The chemistry between her and the rest of the band feels genuine, and she brings a new dynamic that both respects Bennington’s legacy and pushes toward something new. If tonight’s show is any indication, Armstrong may not need to fill Bennington’s shoes after all—she’s already wearing her own.

Photos: Neil Lupin

Words: Thomas Jackson